{"id":34,"date":"2011-05-28T20:56:03","date_gmt":"2011-05-28T20:56:03","guid":{"rendered":"http:\/\/www.et-musica.cl\/?p=34"},"modified":"2018-04-02T15:28:59","modified_gmt":"2018-04-02T15:28:59","slug":"john-cage-one7-y-four6","status":"publish","type":"post","link":"https:\/\/et-musica.cl\/en\/john-cage-one7-y-four6\/","title":{"rendered":"one\u2077 y four\u2076 \/ John Cage"},"content":{"rendered":"<p>work<br \/>\n<em>One\u2077<\/em> and<em> Four\u2076<\/em><\/p>\n<p>author<br \/>\nJohn Cage<\/p>\n<p>year<br \/>\n1990, 1992<\/p>\n<p>&nbsp;<\/p>\n<p>description<br \/>\nBefore a small and attentive audience three realizations of the same work by John Cage were performed. The first: four collections of twelve sounds each; the second, by Eden, with a collection of twelve sounds; and the last, with four different collections of twelve sounds by the same quartet. Of course, this tiny collection of one hundred and eight sounds befell along with countless other from the cordial situation at the AFA Gallery, people&#8217;s attention, Phillips street and its surroundings.<br \/>\nHowever, our audio capturing technology failed, and we were faced with the obligation to implement both embodiments of the quartet again, in a curious little underground at the Arcos Institute School of Theatre: there befell these 96 sounds in a drier space, without the audience&#8217;s attention and with some highly dramatized declamations and other guttural sounds coming from the building.<br \/>\nNCD<\/p>\n<p><a href=\"http:\/\/et-musica.cl\/wp-content\/uploads\/2011\/05\/01.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium wp-image-342\" title=\"01\" src=\"http:\/\/et-musica.cl\/wp-content\/uploads\/2011\/05\/01-300x161.jpg\" alt=\"\" width=\"300\" height=\"161\" srcset=\"https:\/\/et-musica.cl\/wp-content\/uploads\/2011\/05\/01-300x161.jpg 300w, https:\/\/et-musica.cl\/wp-content\/uploads\/2011\/05\/01-1024x549.jpg 1024w, https:\/\/et-musica.cl\/wp-content\/uploads\/2011\/05\/01.jpg 2000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>the players<br \/>\nSantiago Astaburuaga, Ed\u00e9n Carrasco, Nicol\u00e1s Carrasco, Sebasti\u00e1n Jatz Rawicz and \u00c1lvaro Ortega.<\/p>\n<p>the instruments<br \/>\n<em>Four\u2076<\/em>&nbsp;v.1: broken ceramics collection, rattles collection,&nbsp;double bass and prepared violin, bowed objects, stones, motors,&nbsp;mechanical object and field recording<br \/>\n<em>One\u2077<\/em>: prepared clarinet and saxophone, hose<br \/>\n<em>Four\u2076<\/em>&nbsp;v.2: glasses collection, harmonica and radios, double bass and various recordings and motors.<\/p>\n<p><a href=\"http:\/\/et-musica.cl\/wp-content\/uploads\/2011\/05\/02.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium wp-image-343\" title=\"02\" src=\"http:\/\/et-musica.cl\/wp-content\/uploads\/2011\/05\/02-300x161.jpg\" alt=\"\" width=\"300\" height=\"161\" srcset=\"https:\/\/et-musica.cl\/wp-content\/uploads\/2011\/05\/02-300x161.jpg 300w, https:\/\/et-musica.cl\/wp-content\/uploads\/2011\/05\/02-1024x550.jpg 1024w, https:\/\/et-musica.cl\/wp-content\/uploads\/2011\/05\/02.jpg 2000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>place<br \/>\nAFA Gallery, downtown Santiago, Chile<\/p>\n<p>date<br \/>\nSaturday 28th of May, 2011<\/p>\n<p>time<br \/>\nfrom 18:00 to 20:00<\/p>\n<p>duration<br \/>\n120 minutes<\/p>\n<p>the audience<br \/>\nLorna Remmele, Armando Saragoni, Felipe Barbosa, Daniela Valenzuela, Nicol\u00e1s Sandoval, Andr\u00e9s Gaete, Nicole L&#8217;Huillier, Ana Corbal\u00e1n, Francisca Silva, Cecilia, M\u00f3nica, Bernardita Castillo and others.<\/p>\n<p>&nbsp;<\/p>\n<p>audios &#8211; recorded on Zoom H4n<\/p>\n<p><em>Four\u2076<\/em>, first version<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/archive.org\/embed\/JohnCage-Four6\" width=\"400\" height=\"30\" frameborder=\"0\"><\/iframe><\/p>\n<p><em>One\u2077<\/em><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/archive.org\/embed\/One7AtAfa\" width=\"400\" height=\"30\" frameborder=\"0\"><\/iframe><\/p>\n<p><em>Four\u2076<\/em>, second version<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/archive.org\/embed\/JohnCage-Four6SegundaVersion\" width=\"400\" height=\"30\" frameborder=\"0\"><\/iframe><\/p>","protected":false},"excerpt":{"rendered":"<p>work One\u2077 and Four\u2076 author John Cage year 1990, 1992 &nbsp; description Before a small and attentive audience three realizations of the same work by John Cage were performed. The &#8230;<\/p>\n","protected":false},"author":1,"featured_media":35,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0},"categories":[14,4],"tags":[],"_links":{"self":[{"href":"https:\/\/et-musica.cl\/en\/wp-json\/wp\/v2\/posts\/34"}],"collection":[{"href":"https:\/\/et-musica.cl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/et-musica.cl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/et-musica.cl\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/et-musica.cl\/en\/wp-json\/wp\/v2\/comments?post=34"}],"version-history":[{"count":5,"href":"https:\/\/et-musica.cl\/en\/wp-json\/wp\/v2\/posts\/34\/revisions"}],"predecessor-version":[{"id":1113,"href":"https:\/\/et-musica.cl\/en\/wp-json\/wp\/v2\/posts\/34\/revisions\/1113"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/et-musica.cl\/en\/wp-json\/wp\/v2\/media\/35"}],"wp:attachment":[{"href":"https:\/\/et-musica.cl\/en\/wp-json\/wp\/v2\/media?parent=34"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/et-musica.cl\/en\/wp-json\/wp\/v2\/categories?post=34"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/et-musica.cl\/en\/wp-json\/wp\/v2\/tags?post=34"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}