{"id":53,"date":"2011-01-20T21:16:07","date_gmt":"2011-01-20T21:16:07","guid":{"rendered":"http:\/\/www.et-musica.cl\/?p=53"},"modified":"2018-04-02T14:44:12","modified_gmt":"2018-04-02T14:44:12","slug":"cage-wolff-beuger","status":"publish","type":"post","link":"https:\/\/et-musica.cl\/en\/cage-wolff-beuger\/","title":{"rendered":"paseo bulnes \/ Cage, Wolff & Beuger"},"content":{"rendered":"

works
\nVariations II<\/em> (1961) – John Cage<\/p>\n

Play [Prose collection] <\/em>(1969)- Christian Wolff<\/p>\n

Jank\u00e9l\u00e9vitch Sextets <\/em>(2004) pp. 2, 24, 7, 4, 8 – Antoine Beuger<\/p>\n

 <\/p>\n

description
\nWe chose a date, time, some works and invited two friends, Eden and Diego, ie Mr. Ed.
\nSince mid-2010 we had the idea of making a concert elapsing from night to dawn, the very first morning. Because of the weather we dared to chose January, the warmest month of the year in Santiago. However, the capital\u2019s early mornings are invariably cold.
\nThe realization of Variations II<\/em> by John Cage had already been executed before, at Relevo. We only added a sixth performer and specified timing for the starting points of sounds.
\nPlay<\/em> by Christian Wolff, is a brief statement, somewhat angular, not longer than eight lines. It is a suggestion for a kind of improvisation. The score ends with a proposition to play or react to \u201csignals which are not under your control”, in others words, not knowing when or where they will occur. Thus, we related sound and musical actions (noise, crescendo, pulse, highest, lowest, pause, etc.), with some events which were likely to happen there and at that time of day (someone walking a dog, a lit windowpane, etc.).
\nAntoine Beuger sent us his jank\u00e9l\u00e9vitch sextets<\/em> several months ago. We chose this work for the third hour for no compelling reason, but to come together as a compact group while the street and the city are already awake, elongating, spreading. In the score there is an epigraph from Vladimir Jank\u00e9l\u00e9vitch\u2019s book \u201cThe music and the ineffable\u201d: \u201cNous avons refus\u00e9 \u00e0 la musique le pouvoir du d\u00e9veloppement discursif : mais nous ne lui avons pas refus\u00e9 l\u2019exp\u00e9rience du temps v\u00e9cu. Faur\u00e9 et S\u00e9verac s\u2019engagent sur \u00ab le plus doux chemin \u00bb que tant d\u2019autres suivront. Or cette d\u00e9ambulation est toujours quelque peu onirique et nocturne\u2026 Elle s\u2019appelle devenir ! Fluente, non pas itin\u00e9rante : telle est la musique.\u201d
\nNCD<\/p>\n

 <\/p>\n

the players
\nDiego Aguirre, Santiago Astaburuaga, Ed\u00e9n Carrasco, Nicol\u00e1s Carrasco, Sebasti\u00e1n Jatz Rawicz and Alvaro Ortega<\/p>\n

the instruments
\nguitar, double bass, clarinet in b flat, violin, accordion, melodica and radio<\/p>\n

place
\nPaseo Bulnes (between Eleuterio Ram\u00edrez and C\u00f3ndor), Santiago, Chile<\/p>\n

date
\n20th of January 2010<\/p>\n

time
\nfrom 05:00 to 08:00<\/p>\n

duration
\n180 minutes<\/p>\n

guests
\nDaniela Aguilar, Olguita Caba, Nicol\u00e1s Espinoza, Rosario Fern\u00e1ndez, Consuelo Gonz\u00e1lez, Sandra Mar\u00edn, Nicole Medina, Nicol\u00e1s Ortiz and Carlos Soto<\/p>\n

 <\/p>\n

audios (recorded on Zoom H4n)<\/p>\n

Variations II <\/em><\/p>\n