{"id":562,"date":"2012-06-13T20:39:15","date_gmt":"2012-06-13T20:39:15","guid":{"rendered":"http:\/\/www.et-musica.cl\/?p=562"},"modified":"2018-04-02T15:21:59","modified_gmt":"2018-04-02T15:21:59","slug":"valparaiso-sector-baron","status":"publish","type":"post","link":"https:\/\/et-musica.cl\/en\/valparaiso-sector-baron\/","title":{"rendered":"valpara\u00edso, sector Bar\u00f3n"},"content":{"rendered":"<p>Valparaiso, Bar\u00f3n hill and dock area (derive 2)<br \/>\nTuesday March 15th, 2011<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>ala1RECS &amp; arsomnis thanks Felipe Araya and Fernando Godoy for their precise and delicate work on selecting the sites for this fourth activity in Valparaiso.<br \/>\nAlong with that, thanks to Marcelo Maira, for the reception at his home.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Ravine between Bar\u00f3n and Placeres hills, Julio Verne Street (continued from Castro street).<\/p>\n<p>&nbsp;<\/p>\n<p><em>5 ausf\u00fchrende<\/em> , pages 18 to 19; Manfred Werder, 1999 &#8211;<\/p>\n<p>Nicol\u00e1s Carrasco (1): melodica, Felipe Araya (2): bell, Ra\u00fal D\u00edaz (3): whistle, Marcelo Maira (4): baroque flute, Fernando Godoy (5): bowed metal piece<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/archive.org\/embed\/ManfredWerder-5Ausfuhrendeseiten18Bis19\" frameborder=\"0\" width=\"400\" height=\"30\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><em>2006\u00b2<\/em>;\u00a0Manfred Werder<\/p>\n<p>the score of this work indicates:<\/p>\n<p>places<\/p>\n<p>a time<\/p>\n<p>&nbsp;<\/p>\n<p>(sonidos)<\/p>\n<p>&nbsp;<\/p>\n<p>the March 15th actualization corresponded to:<\/p>\n<p>places: in, on and around the Bar\u00f3n hill and dock<\/p>\n<p>a time: the afternoon of March 15th<\/p>\n<p>(sounds) the listenable, the audible, the heard, the inaudible, some works executed other works thought, (sounding of the world)<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/archive.org\/embed\/ManfredWerder-2006\" frameborder=\"0\" width=\"400\" height=\"30\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Bar\u00f3n jaywalk and balcony, Diego Portales avenue<\/p>\n<p><em>Almac\u00e9n # 1<\/em>; \u00c1lvaro Ortega, 2011<\/p>\n<p>Nicol\u00e1s Carrasco, objetos, Felipe Araya: objects, Raul Diaz, objects, Marcelo Maira: flute, Fernando Godoy, metals, Manfred Werder: rock &amp; harmonica, \u00c1lvaro Ortega: agogo &amp; rattle, Sebasti\u00e1n Jatz: Black Magic metallic box &amp; whistle<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/archive.org\/embed\/AlvaroOrtega-Almacen1\" frameborder=\"0\" width=\"400\" height=\"30\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>the parking area of a popular shopping center<\/p>\n<p><em>2006\u00b2<\/em>; Manfred Werder<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/archive.org\/embed\/ManfredWerder-2006_340\" frameborder=\"0\" width=\"400\" height=\"30\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Bar\u00f3n dock<\/p>\n<p><em>5 ausf\u00fchrende<\/em>, pages 20 a 21; Manfred Werder; 1999-<\/p>\n<p>Manfred Werder (1): harmonica, Sebasti\u00e1n Jatz (2): bell, \u00c1lvaro Ortega (3): melodica, Marcelo Maira (4): baroque flute, Raul Diaz (5): platillo<\/p>\n<p>(audio in mono minidisc and stereo digital)<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/archive.org\/embed\/ManfredWerder-5Ausfuhrendeseite21MinidiscMono\" frameborder=\"0\" width=\"400\" height=\"30\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/archive.org\/embed\/ManfredWerder-5Ausfuhrendeseiten20Bis21\" frameborder=\"0\" width=\"400\" height=\"30\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/et-musica.cl\/wp-content\/uploads\/2012\/06\/muelle.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft size-full wp-image-632\" title=\"muelle\" src=\"http:\/\/et-musica.cl\/wp-content\/uploads\/2012\/06\/muelle.jpg\" alt=\"\" width=\"400\" height=\"107\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><em>2006\u00b9<\/em>; Manfred Werder<\/p>\n<p>The score of this work indicates:<\/p>\n<p>a place, natural light, where the performer,<\/p>\n<p>the performers, like to be<\/p>\n<p>time<\/p>\n<p>&nbsp;<\/p>\n<p>(sounds)<\/p>\n<p>&nbsp;<\/p>\n<p>\u00c1lvaro proposed an actualization of this work in the dock, since he liked the place. We have included two records of this actualization having two sections (or &#8220;slices&#8221;) in the multiplicity of the same situation. What sounded minimum -metal rubbing of the railing of the dock- in one version, it sounds enormous in the other.<\/p>\n<p>(audio in mono minidisc and stereo digital)<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/archive.org\/embed\/ManfredWerder-2006_1000\" frameborder=\"0\" width=\"400\" height=\"30\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/archive.org\/embed\/ManfredWerder-2006stereoMinidisc\" frameborder=\"0\" width=\"400\" height=\"30\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/et-musica.cl\/wp-content\/uploads\/2012\/06\/ulrazo.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft size-full wp-image-634\" title=\"ulrazo\" src=\"http:\/\/et-musica.cl\/wp-content\/uploads\/2012\/06\/ulrazo.jpg\" alt=\"\" width=\"400\" height=\"107\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Tornamesa Baron spaces &#8211; old railway factory<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/et-musica.cl\/wp-content\/uploads\/2010\/03\/tornamesa.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft size-medium wp-image-628\" title=\"tornamesa\" src=\"http:\/\/et-musica.cl\/wp-content\/uploads\/2010\/03\/tornamesa-300x77.jpg\" alt=\"\" width=\"400\" height=\"107\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><em>monodies pour mallarm\u00e9<\/em>\u00a0[2004], page 13; Antoine Beuger<\/p>\n<p>Marcelo Maira: flute<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/archive.org\/embed\/AntoineBeuger-MonodiesPourMallarme\" frameborder=\"0\" width=\"400\" height=\"30\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><em>un lieux pour \u00eatre deux<\/em>\u00a0[2007], pages 26 a 34; Antoine Beuger<\/p>\n<p>Sebasti\u00e1n Jatz: melodica, Nicol\u00e1s Carrasco: melodica &amp; violin<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/archive.org\/embed\/AntoineBeuger-UnLieuxPourEtreDeux\" frameborder=\"0\" width=\"400\" height=\"30\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><em>ein(e) ausf\u00fchrende<\/em>\u00a0[1999 &#8211; ], page 479; Manfred Werder<\/p>\n<p>Fernando Godoy: bowed metal<\/p>\n<p>&nbsp;<\/p>\n<p><em>zwei ausf\u00fchrende<\/em>\u00a0[1999 &#8211; ], p\u00e1ginas 372 a 374<\/p>\n<p>Ra\u00fal D\u00edaz (1): metallic brush, Felipe Araya (2): campana<\/p>\n<p>(audio in mp3 mono and stereo digital)<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/archive.org\/embed\/ManfredWerder-2Ausfuhrendeseiten373Bis374\" frameborder=\"0\" width=\"400\" height=\"30\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/archive.org\/embed\/ManfredWerder-2Ausfuhrendeseiten373Bis374Mp3Mono\" frameborder=\"0\" width=\"400\" height=\"30\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>In the audio for <em>an lieux pour \u00eatre deux<\/em> sounds the bell used by Felipe in his execution for<em> zwei ausf\u00fchrende<\/em>; both <em>zwei ausf\u00fchrende<\/em> records include pages 373 and 374; the recording for <em>ein(e) ausf\u00fchrende<\/em>, page 479, was unfortunately stolen, along with other recordings made that afternoon. In the distance as well, in all recordings, Marcelo Maira on the flute and a coryphaeus of seagulls.<\/p>\n<p>&nbsp;<\/p>\n<p><em>2011\u00b9<\/em>; Manfred Werder<\/p>\n<p>actualization: Manfred Werder<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>on a Pullman bus from Valpara\u00edso to Santiago<\/p>\n<p>&nbsp;<\/p>\n<p><em>ein(e) ausf\u00fchrende<\/em>, pages 480 to 481; Manfred Werder<\/p>\n<p>Nicol\u00e1s Carrasco: stereo mic, minidisc &amp; speaker<\/p>\n<p>We give two versions of this realization: one that captures the atmosphere of the bus and a direct capture of minidisc, with &#8220;absolute&#8221; silences.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/archive.org\/embed\/ManfredWerder-EineAusfuhrendeseiten480Bis481\" frameborder=\"0\" width=\"400\" height=\"30\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/archive.org\/embed\/ManfredWerder-EineAusfuhrendeseiten480Bis481Minidisc\" frameborder=\"0\" width=\"400\" height=\"30\"><\/iframe><\/p>","protected":false},"excerpt":{"rendered":"<p>Valparaiso, Bar\u00f3n hill and dock area (derive 2) Tuesday March 15th, 2011 &nbsp; &nbsp; ala1RECS &amp; arsomnis thanks Felipe Araya and Fernando Godoy for their precise and delicate work on &#8230;<\/p>\n","protected":false},"author":2,"featured_media":631,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0},"categories":[16],"tags":[],"_links":{"self":[{"href":"https:\/\/et-musica.cl\/en\/wp-json\/wp\/v2\/posts\/562"}],"collection":[{"href":"https:\/\/et-musica.cl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/et-musica.cl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/et-musica.cl\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/et-musica.cl\/en\/wp-json\/wp\/v2\/comments?post=562"}],"version-history":[{"count":5,"href":"https:\/\/et-musica.cl\/en\/wp-json\/wp\/v2\/posts\/562\/revisions"}],"predecessor-version":[{"id":1109,"href":"https:\/\/et-musica.cl\/en\/wp-json\/wp\/v2\/posts\/562\/revisions\/1109"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/et-musica.cl\/en\/wp-json\/wp\/v2\/media\/631"}],"wp:attachment":[{"href":"https:\/\/et-musica.cl\/en\/wp-json\/wp\/v2\/media?parent=562"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/et-musica.cl\/en\/wp-json\/wp\/v2\/categories?post=562"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/et-musica.cl\/en\/wp-json\/wp\/v2\/tags?post=562"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}